In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism’s theory of representation. Her analysis moves beyond black feminism’s preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash’s innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women’s pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions—between delight and discomfort, between desire and degradation—at the heart of black pleasures.
After fourteen years in prison, Gerald “Stew Pot” Reeves, age thirty-one, returns home to live with his mom in Parkland, a black middle-class neighborhood on Chicago’s South Side. A frightening delinquent before being sent away (his infamies included butchering a neighbor’s cat, torching another neighbor’s garage, and terrorizing the locals with a scary pit bull named Hitler), his return sends Parkland residents into a religiously infused tailspin, which only increases when Stew Pot announces that he experienced a religious awakening in prison. Most neighbors are skeptical of this claim, with one notable exception: Mrs. Motley, a widowed retiree and the Reeves’s next-door neighbor who loans Stew Pot a Bible, which is seen by Stew Pot and many in the community as a friendly gesture.
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In this impressive debut Marcus J. Guillory brilliantly weaves together the many obstacles of a young man growing into adulthood, the realities of urban life, the history of Louisiana Creole culture, the glory of the black cowboy, and the role of religion in shaping lives. The question throughout this layered and complex coming-of-age story is will Ti’ John survive the bad side of life—and his upbringing—and learn how to recognize and keep what is good.
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Based on his powerful, true journey from a childhood rife with poverty, incarceration, addiction and rage to the successful adult life he achieved, award-winning performer, writer, and motivational speaker Daniel Beaty presents the tools that readers need to overcome any obstacle and tap into their full capabilities. By outlining an alternative mode of thinking, especially for the modern African-American man bombarded by negative stereotypes in the media, Beaty empowers the individual and encourages readers of all backgrounds to learn from their cultural and family heritage while forgiving and letting go of the negative so that only the positive remains.